

Previous
Next
Index
Thread
## News: Symbolic Composer 4.0 (with VRML 2.0) For The PowerMac ##


Symbolic Composer 4.0 for PowerMacintosh is now ready and shipping.
A demo can be downloaded from page
http://www.xs4all.nl/~psto/
SCOM 4.0 for PowerMac port was financed by pre-ordered subscriptions by
the users. Thank you for all of you who made this possible! SCOM 4.0 runs
now fully PowerMac-native and is 31 times faster than SCOM Pro on PPC. A
score that previously took 30 minutes to compile is now ready and playing
under a minute.
New features were also added: tonality interpolators and processors,
fade-in/out automation plus web-access directly from SCOM menus. SCOM
4.0 users may now download and contribute scores to Score Forum, and let
Score Clinic solve problems. Globally-accessible compositional idea bank
accessible from SCOM menu is now made possible by these enhancements.
SCOM Highlights
Ready-to-use and modificable score demos
Easy to maintain and develop complex scores
Instant Lisp access, expansion and environment customisation
Visual compiler spots errors in the right place
Easy examination of values at a given point of score
Suitable for generating final productions and pre-compositional material
Applicable for commercial, experimental and modern music of any complexity
Wide range of musical functions
Perfect partner for small and large MIDI studios
Perfect tool for music education
Interface to industry-standard MIDI sequencers and notation programs
Runs on standard 14 inch bw or color monitor, no need for a big monitor
ZIPI-like instrument control, up to 256 channels using standard MIDI
Easy-to-use tunings (cents, ratios, algorithms)
Lisp-based editor with auto-formating and parenthesis counting
Compositional element library
Web-access directly from the program
Customizable launching of other programs while booting up
Online electronic hyperhelp documentation and tutorials
The SCOM Language
SCOM functions are selected from hierarchical menus and pasted on the
editor. Each function has one output and several inputs. Functions are
nested into each other to achieve the proper functionality. SCOM's
unique feature that nearly any function can be connected to any other
function maximises the creative freedom and allows to develop new
compositional ideas.
New composition-specific functions can be programmed on-line by the composer
with build-in Common Lisp interpreter. The extensions can be included in
the score, and made available for other user as plug-ins, including a
hypertext documentation. New interface extensions can be designed using
the MCL 4.0 compiler (Macintosh Common Lisp) available from Digitool <http://www.digitool.com/>.
SCOM function library covers 500 musical and mathematical building blocks,
chaos, fractals, series, progressions, morphs, interpolations, a
complete scale and chord system, tree-like orhestral and section
hierarchies, 300 experimental tunings, ZIPI-like instrument control
structure and 256 MIDI channels realized in standard MIDI protocol.
Programming environment allows graphical examination and manipulation of
compositional data. Plug-ins developed by composers add new features
to the system.
The Principle Of Operation
The composer may define length, symbol, velocity, channel, controller,
program, signature, duration, expression, groove, tempo, tuning, rhythm,
class, grammar, orchestra, section, tonality and zone contents of the
score.
Definition is done by hierarchical function nets, which can be build
using the following generators and processor:
Generator Categories
Fractal Expansions
Fibonacci Series
Grammars
L-System
Loops
Morphs
Palindrome
Randomization
Arrays
Chaos Theory
D-Forms
Energy Fields
Fourier Synthesis
Noise
Number Theory
Oscillators
Solar Systems
Autocatalysis
Conversions
Neurons
Processor Categories
Chordize
Harmonize
Fill
Filter
Find
Mask
Misc
Mix
Reflect
Resize
Shift
Transform
Transpose
Trigger
Amplify
Analyze
Modulate
Quantize
Slice
Library
Midi
Tonalities
Complete western scale system
Complete western chord inversion and position system
300 experimental tunings
Harmony theory generators
Overtone and n-tet octave generation
Interpolations
Distortions
Enrichments
Mixing
Sorting
Minimum-energy folding
Metrics
Time units are expressed as standard music notation ratios with dot,
triplet, tuplet etc. extensions, or with milliseconds. Time units can be
processed by algorithms. Same time unit expressions are applicable to both rhythmics, subsection and section lengths.
Configuration
SCOM is available for both 68k Macs and PowerMacs. A minimum of 8 MB RAM
is needed to run the system, although 16 MB is suggested. SCOM runs equally
well on all monitors sizes and types. Build-in Lisp Interpreter can be used
to extend the system on-line and it allows to develop new plug-ins by the
user. The system footprint is between 20-50 MB depending on the partition
scheme of the hard disk.



